Showing posts with label beauty. Show all posts
Showing posts with label beauty. Show all posts

Friday, 14 February 2014

'A dateless lively heat': Happy Valentine's!

In keeping with today's theme of love, all things heart-shaped and amorous, I thought it might be fun to share a few early-modern (and, I admit, some eighteenth- and nineteenth-century ones) that reflect today's warm and fuzzy feeling. (And if that warm, fuzzy feeling is only provided by your furry slippers this year, then that's fine, too!)

All of the images are courtesy of Wellcome Images.

Cupid dissecting a heart (1665)
The treatment of a love-sick woman (representing the Netherlands) (1672)
Cupid armed with a bow and arrow flies through the window (18th century)

A woman with bulging eyes, expressing desire through her face (1770)

A woman, the physiognomy of whom expresses attention excited by desire (1792)

A bewildered doctor taking the pulse of a love-sick woman (1802)

A young woman in love clasps her hands against her heart (1830)
There will be another post coming up over the weekend on some 'Bellifying Receipts', so keep your eyes peeled!

© Jenna Townend 2014

Tuesday, 25 June 2013

John Baptista Porta and 'sports against women'

In my last post, I spoke a little bit about John Baptista Porta's 1658 work Natural Magick, and outlined some of his remedies for 'beautifying women' that are contained in the book's ninth chapter. Most interestingly, though, this chapter is concluded by half a page of suggestions for 'some sports against women', an idea which can surely be paraphrased as 'practical jokes'. Whilst some readers might read this as undermining their belief in the credibility of what Porta has outlined in the preceding pages, what struck me most was the very real sense of humour that comes across at the end of this chapter. Porta seems to acknowledge two things: firstly, beauty remedies are indeed useful and desirable for women, and, secondly, that these remedies also offer an opportunity for some, erm, tricks to be played at the expense of some of the vainer women in his readership. It should be said, though, that Pliny and Avicenna seem to be the root culprits for these jokes, rather than Porta himself.

Below I have transcribed my three favourite examples of these practical jokes. I do not, however, take any responsibility for providing any readers with ammunition to enact these tricks on siblings / flatmates / spouses! All of the following quotations are taken from the EEBO edition of the 1658 work, and are from p. 253.


'To make a woman full of red pimples.

Of a Stellio is made an ill Medicament: for when he is dead in Wine, all the Faces of those that drink of it, will be red-spotted Wherefore, they that would disfigure Whores, kill him in an Oyntment. The Remedy is, the yelk of an Egg, Honey and Glass. Pliny'.


'To make the Face green.

Avicenna saith, That the Decoction of Chamaeleon, put into a bath, will make him green-coloured that stays long in that bath; and then by degrees he will recover his former colour'.


'To make the Hair fall off the Head and Beard.

Touch any part of mans body with a matter white as milk, that the Salamander vomits up out of its mouth, and the Hairs will fall off; and what is touched is changed into the Leprosie. Pliny'.


The writers of Bride Wars could have done with access to Porta's text, too!

1. John Baptista Porta, Natural Magick (London: 1658), in EEBO.

© Jenna Townend 2013

Tuesday, 18 June 2013

John Baptista Porta and seventeenth-century beauty

So, beauty regimes and cosmetics are the pursuits of the modern era, right? Wrong. In fact, the routines that women undertake today to wear make-up, dye their hair and wax their legs are not a million miles away from those of our seventeenth-century sisters (and probably brothers, too!). In his 1658 work Natural Magick, John Baptista Porta set down 'the riches and delights of the Natural Sciences', including a chapter entitled 'Of Beautifying Women'. In it, he presents a plethora of what can only be described as beauty tips and techniques. They range in topics from the removal of unwanted hair, to how to make the face desirably white and soft. Granted we can not be sure how many of these recipes were used, and indeed how many women used them, but what we can be sure of is that the detail with which Porta relates these passages must mean that there was demand for literature of this type, especially since it is included in a work that also has chapters on 'the Production of new Plants' and 'Perfuming'.

Below I have transcribed three of my favourite excerpts from the work. Whilst I'm not entirely convinced by the effectiveness of all the recipes(!), I think they give a wonderful insight into a historic culture that, though obviously fascinating in its own right, is also so similar in its concerns to the beauty culture of our own age.

'To make the Hair yellow:
Draw Oyl from Honey by the Art of Distillation, as we shall shew: First, there will come forth a clear VVater, then a Saffron-colour, then a Gold-colour: use this to anoynt the Hair with a Spunge; but let it touch the Skin: for it will dye it Saffron-colour, and it is not easily washed off. This is the principal above others, because the Tincture will last many dayes: and it will dye Gray-Hairs, which few others will. Or make a Lye of Oak-Ashes, put in the quantity of a Bean of Rhubarb, as much Tobacco, a handful of Barley-Straw and Foeny-Graec, Shells of Oranges, the Raspings of Guaiacum, a good deal of wilde Saffron and Liquorish: put all these in an Earthen-pot, and boyl them, till the water sink three fingers: the Hairs will be washt excellently with this. Hold them in the Sun, then cast Brimstone on the Coals and fume the Hairs; and whilst it burns, receive the smoke with a little Tunnel at the bottom, and cover your Head all over with a cloth, that the smoke flie not away' (p. 234).

'That hair should never grow again:
In which business I have taken great pains; and tried many things that I found to be false; First, foment the part with hot water, and pull out the Hairs one by one with womens nippers: then dissolve Salt-Peter in water, and anoynt the holes where the Hairs grew. It will be better done with Oyl of Brimstone, or of Vitriol: and so they will never grow again; or if they do, after one yeer, they will be very soft: do then the same again, and the parts will be bare alwayes. So I have made womens Fore-heads longer, and have taken off Hair from parts hotter than the rest' (pp. 236-37).

'To dye the Eye-brows:

Take Labdanum, and heat it with Wine, and mingle Oyl of Myrtles with it, and make a very thick Oyntment: or infuse in Oyl the black Leaves of the Myrtle-Tree, with a double quantity of Galls bruised, and use that. I use this. Galls are fried in Oyl, and they are ground with a little Salt-Ammoniac; and then mingled with Vinegar, wherein the Pills of the Mulberry and Bramble have been boyled: with these anoynt the Eyebrows, and let it abide on all night; then wash it off with water' (p. 238).

1. John Baptista Porta, Natural Magick (London: 1658), in EEBO.

© Jenna Townend 2013